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Description
zeltstangen gummischnur Fiberglas Zeltstange Ø 12,7 mm - 850 cm aus 9 SegmentenFIBERGLASZELTSTAB 12,7MM 8,5 METER 9 SEKTIONEN: Schwarz mit 2 Endstcken mit Einfdelhilfe aus Stahl Leicht stabil flexibel MAE: 12,7 mm je Stab ca. 95 cm Gesamtlnge ca. 8,5 Meter Verpackungsmae: 98 x 11 x 5 cm Gewicht: ca. 1,8 kg BIEGUNGSGRAD: Mit dem Fieberglasstab 12,7 mm kann ein Bogen mit einem minimalen Durchmesser von 240 cm gebaut werden. WELCHE ERSATZ ZELTSTANGE FR MEIN ZELT: Bentigen Sie eine Ersatzstange fr Ihr Zelt? Wichtig beim Nachkauf ist
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FIBERGLASZELTSTAB Ø 12,7MM - 8,5 METER - 9 SEKTIONEN:
Schwarz - mit 2 Endstücken - mit Einfädelhilfe aus Stahl - Leicht- stabil - flexibel - MAßE: Ø 12,7 mm - je Stab ca. 95 cm - Gesamtlänge ca. 8,5 Meter - Verpackungsmaße: 98 x 11 x 5 cm - Gewicht: ca. 1,8 kg
- BIEGUNGSGRAD:
Mit dem Fieberglasstab Ø12,7 mm kann ein Bogen mit einem minimalen Durchmesser von 240 cm gebaut werden. - WELCHE ERSATZ-ZELTSTANGE FÜR MEIN ZELT:
Benötigen Sie eine Ersatzstange für Ihr Zelt? Wichtig beim Nachkauf ist der Durchmesser der Stange in Ihrem Zelt, sonst passt sie eventuell nicht in den Tunnelzug des Zeltes. Die Länge der Zeltstange kann gekürzt werden. - FIBERGLASS:
Fiberglass, auch als Glasfaser bekannt, besteht aus dünnen, ineinandergreifenden Fäden aus Glas, die in Harz eingebettet und dann zu einem festen Material gehärtet werden. Gestänge aus Fiberglass sind bekannt für ihre Flexibilität, Stärke und Langlebigkeit. Im Vergleich zu anderen Materialien wie Aluminium oder Stahl sind sie leichter, was sie ideal für den Transport und die Verwendung im Freien macht. Sie sind auch unempfindlich gegenüber Korrosion und Rost. - MONTAGE - INDIVIDUELL KÜRZBAR:
Mit einer feinen Säge kürzbar, kann diese Zeltstange schnell angepasst und dem Zeltbogen hinzugefügt werden. Das mitgelieferte Gummiband ist wesentlich kürzer als die Gesamtlänge der Stangen. Die Spannkraft des Gummis hält die einzelnen Segmente zusammen. Montagetipp: Das Einfädeln von der Seite ohne Metallhülse geht leichter - nach dem Einfädeln der Gummibandlänge ist eine zusätzliche helfende Hand zum Spannen des Bandes sehr hilfreich. - ALTERNATIVE ANWENDUNGSBEREICHE:
Glasfaserstäbe haben ein breites Anwendungsspektrum und können in vielen Bereichen eingesetzt werden. Sie eignen sich hervorragend für Zelte, Pavillons, Sonnenschirme, Markisen und viele andere Anwendungen im Außenbereich. Aufgrund ihrer Leichtigkeit und Robustheit können sie auch im Modellbau, für RC-Flugzeuge, Boote und andere Anwendungen eingesetzt werden. - LIEFERUMFANG:
1x Stangenset - inklusive Gummiband und 2 Endhülsen - mit Einfädelhilfe - nicht vormontiert
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4.4 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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